Mass in Honor of Pope Saint John Paul II on “Sounds from the Spires” and the Youth-Based Chant Movement


ASS IN HONOR of Pope Saint John Paul II” was recently featured on “Sounds from the Spires” on SIRIUS XM 129 Radio, The Catholic Channel.

I had the opportunity to speak with the program’s host, Dr. Jennifer Pascual, Director of Music for Saint Patrick’s Cathedral in New York City. In addition, special guest, Ryan Lynch, Director of Music and Organist at St. Raphael’s Parish in Medford, MA joined the program to discuss the youth-propelled chant movement, the new economic model of publishing, and how it is reshaping the liturgical landscape.

• PODCAST • You can listen here to the program broadcast on 5.18.2014:

DOWNLOAD Complete Score (2.3 MG):
PDF • Mass in Honor of Pope Saint John Paul II (for Schola, Organ, SATB)
Published with the approval for liturgical use by the Committee on Divine Worship, United States Conference of Catholic Bishops.

• Music from this broadcast:
“Mass in Honor of Pope St. John Paul II” | St. Cecilia Choir, Boston, MA

YouTube:  Penitential Act C | Kyrie
YouTube:  Gloria
YouTube:  Sanctus
YouTube:  Memorial Acclamation A
YouTube:  Memorial Acclamation B
YouTube:  Memorial Acclamation C
YouTube:  Doxology, Amen
YouTube:  Agnus Dei

YouTube:  Christe qui lux es et dies | The Seraphim Singers, Jennifer Lester, Director
YouTube:  St. Cecilia Day Variations | St. Cecilia Schola, Richard J. Clark, organ

• TWO BONUS PODCASTS! Here is my 2012 interview on “Sounds from the Spires.”

From 2013 Richard Kelley, trumpet, and Richard J. Clark discuss their CD, “Requiem pour une américaine à Paris”

Mass in Honor of Pope Saint John Paul II


VER SINCE MY WIFE was expecting our third child, I began composing this mass setting in thanksgiving to God for my son, Sean Paul to whom it is dedicated. While composed in a chant style, each melody is reminiscent of a simple lullaby. (The Sanctus is perhaps the best example.) Like chant, when one sings a lullaby, one often doesn’t focus on meter and timing. The words and melody flow naturally and are fully devoted to the child. Likewise, chant is fully devoted to God flowing in much the same way. As such, this mass can even be sung effectively in three ways:

1 • Unison without accompaniment

2 • Cantor/Unison Schola and Organ

3 • SATB and Organ

The voice-leading is designed to be simple; the accompaniment is well-suited for an organ of humble means.

Using the 2010 English translation of The Roman Missal, Third Edition, it is published with the approval for liturgical use by the Committee on Divine Worship, United States Conference of Catholic Bishops.

DOWNLOAD Complete Score (2.3 MG):
PDF • Mass in Honor of Pope Saint John Paul II (for SATB, Schola, Organ)

DOWNLOAD Unison/Organist Edition:
PDF • Mass in Honor of Pope Saint John Paul II (for Schola, Organ)
Recordings by the St. Cecilia Choir, Boston, MA, with the 1999 Smith & Gilbert Organ:

YouTube:  Penitential Act C | Kyrie
YouTube:  Gloria
YouTube:  Sanctus
YouTube:  Memorial Acclamation A
YouTube:  Memorial Acclamation B
YouTube:  Memorial Acclamation C
YouTube:  Doxology, Amen
YouTube:  Agnus Dei

LISTEN and FREE DOWNLOADS of 24 bit audio here

AM ABSOLUTELY NOTHING without my wonderful volunteers and colleagues who are generous, talented, and devoted to prayer. Many thanks to Mark Donohoe, Allesandra Cionco, Jaime Korkos, Emily Lau, Michael Olbash, Peter Tetrault, Ryan Lynch, Doug McNicol, Benjamin Mead, Robert Gregory, Gillian Lynn Cotter, Ghinwa Choueiter, Heather Young, Joseph Houley, Mark Brown, Rachel Edelman, Robert Boland, Kathleen Boland, Libby Boland, Wanner, Cynthia, William Brown, Chuck Ovivieri, Matthew Gallup, Anna Maria Licameli, Rose Sun, Michelle Ong, Patricia Almond, Rebecca Wettemann, Patricia Driscoll, Perpetua Charles, and Timothy Edward Smith

Mass of the Angels | Congregational Mass Setting in English


ASS OF THE ANGELS is based on the popular and familiar Missa VIII (De angelis), which was the standard chant Mass sung in many parishes immediately prior to Vatican II. It includes Gospel acclamations and the Credo using the familiar incipit from Credo III. It is set for cantor, congregation and optional SATB choir. This setting may also be sung in unison with cantor or schola.

• It is available exclusively through CanticaNOVA Publications.
• For ordering details click here.
• PDF samples are available here.
• See below for YouTube recordings.

Adam Wood calls it “one of the best congregational settings of the new texts.” Furthermore, the mass was influenced by Theodore Marier and Richard Proulx in two areas:

I wanted to adapt these beautiful chant melodies in an accessible manner and to be mostly in English.
That the piece could translate well liturgically, whether in the grand setting of a choir of forty with a fifty rank organ of French Romantic design in a European acoustic OR with the austerity of an eight rank organ and a single voice or unison schola


Here are some sample recordings by the St. Cecilia Choir, Boston with the 1999 Smith & Gilbert Organ.

      YouTube:  Penitential Act C | Kyrie
      YouTube:  Gloria (Refrain version)
      YouTube:  Gloria (Through-composed/cantor version)
      YouTube:  Gospel Acclamations (Alleluia and Lenten options)
      Credo (response in Latin)
      YouTube:  Sanctus
      Mystery of Faith A, B, C
      Amen
      YouTube:  Agnus Dei