Communion Antiphons for Advent & Christmas • NEW • World Library Publications

ORLD LIBRARY Publications, the music and liturgy division of J. S. Paluch Company, Inc. has recently released my collection of Communion Antiphons for Christmas. These nine antiphons are set to the English translation of the Roman Missal, Third Edition, with verses according to the Graduale Romanum.

You may also learn about and listen to my Communion Antiphons for Advent here.

Scores are available in hard copies or for digital download:

Order • View sample pages:
Octavo • “Communion Antiphons for Christmas” (for SATB Choir, Cantor, Assembly, Organ, Trumpet)

“Click & Print” • PDF Download:
PDF • “Communion Antiphons for Christmas” (for SATB Choir, Cantor, Assembly, Organ, Trumpet)

All are chant based including quotes of Puer natus est nobis and the Mode I Ave Maria.
May be sung with cantor or unison schola or optional SATB
Several include optional vocal and trumpet descants.

BE SURE TO LISTEN to recordings directed by Paul French, Director of the William Ferris Chorale and Music Director of Our Lady of Mt. Carmel Church in Chicago. You can hear six of the nine antiphons here. (Each antiphon has several more verses than are recorded here.)

*Note the two options for the Solemnity of Mary, Mother of God: Rejoice, O Daughter Zion (Exsulta fiIia Sion) is prescribed for the Mass at Dawn in the Roman Missal. It is also is prescribed also for the Solemnity of Mary in the Graduale Romanum.

HY SING THE PROPERS AT ALL? Forget GIRM 87 that gives singing the antiphons from the Roman Missal or Grandulae Romanum the highest preference. Forget the tradition of the propers being integral to the Roman Rite for well over a millennium. Forget that Sing to the Lord: Music In Divine Worship (SttL) gives singing the antiphons and psalms very high priority.

But remember the wisdom of the faithful who came before us. What matters most is that the antiphons and psalms we sing during communion most always point us back to the Gospel. Often they are from the Gospel itself or another reading. The psalms, which are just as important as the antiphons, shed deeper light upon the sacred mysteries and the Gospel. These scriptures amplify our prayer while receiving the Bread of Life.

I could go on for many pages, but I leave you with this simple story:

The best note I ever received on this topic came from a woman who probably knows nothing about the antiphons, the GIRM, or the rubrics. But she knows prayer and she knows her heart. She said “Isn’t it wonderful to sing the Gospel while receiving the Eucharist!”

This kind of intuitive understanding is born of the wisdom of the ages—from many faithful who came before us. This above all is why we sing the Mass.

Consciously or not, the scriptures sung in the antiphons and psalms touch the heart. Live daily with the Word, and we will be transformed.

Soli Deo gloria

Free Communion Propers for the Easter Season | Years ABC


HIS COLLECTION of communion propers for the Easter Season is an update which now includes settings for all three liturgical years (A, B, C).

To sing these texts is to journey from Christ’s Resurrection to the descent of the Holy Spirit. It is quite an emotional experience when one realizes just HOW MANY ALLELUIAS are in all of the Easter propers! After abstaining from “Alleluias” throughout Lent, it is a blessed relief to sing “Alleluia” over and over again within these beautiful texts from scripture.

Free Download:
PDF • “Easter Season Communion Propers | Years ABC” (for Schola, Organ, SATB)

• Includes seventeen settings from the Easter Vigil though Pentecost Sunday.

• All are chant based in style.

• Includes a setting for the Seventh Sunday of Easter in those dioceses in which The Ascension of Our Lord is not transferred to Sunday.

• Can be sung with cantor or schola with organ. There is enormous opportunity for optional SATB singing, designed to offer contrast with unison singing.

• Optional congregation inserts for worship aids found after page 37

• Antiphon texts are English translations of those found in the Graduale Romanum. (You will find variation with the Communion propers found in the Roman Missal, especially during the Easter Season. A MUST READ article regarding Antiphons in the Roman Missal vs. the Roman Gradual is written by Jeff Ostrowski.)

HESE ANTIPHONS SHOULD ALWAYS BE SUNG with forward, yet unhurried movement, and often with an air of lightness—not always in color but in spirit and energy. Even the intensity of the Pentecost antiphon should be sung with light forward motion, yet still unhurried (despite the “rush of a mighty wind”!). Do not be afraid of engaging in mystery and energy in chant!

Each antiphon colors the text simply and occasionally with symbolic gesture. For example, the Easter Vigil / Easter Sunday antiphon ends a half step below the tonic — unresolved and evoking the mystery of the empty tomb. The Pentecost antiphon uses a similar device, bookending this collection. Another example is found in the Sixth Sunday of Easter, which utilizes an augmented fifth chord—three equal intervals representing the Trinity — the augmented fifth, symbolizing the Holy Spirit. Furthermore, on Ascension Thursday, the final chords in both the antiphon and verses are unsupported by the root, but instead by the third providing a sense of elevated motion.

For future reference, here are Communion propers for Lent and Advent:

Free Download:
PDF • “Twelve Communion Propers for Lent”
(for Schola, Organ, SATB)

Free Download:
PDF • “Advent Communion Propers”
(for Schola, Organ, SATB)

Have a blessed Lent and Holy Week!