CERTAIN EXTRAORDINARY artists do much that is unseen or taken for granted. Superior execution is evidenced by its invisibility: exquisite phrasing, delicate ensemble interaction, flawless diction and intonation, inspired interpretation, and so on. Mezzo-soprano Jaime Korkos is one such artist who demonstrates all this in various genres, ensembles, and settings, from early music to experimental world premieres, from Boston Symphony Hall to the local church. She demands excellence from herself regardless of repertoire or venue.
Well known and respected in Boston circles, Korkos has kept a low profile despite rave reviews and an illustrious résumé. Her humility as a solo artist stems in part because her commitment to excellence in ensemble singing is equally powerful. (Listen here to Korkos with the Boston Cathedral Singers • From the Bell Tower.)
But that is also what makes her a superior soloist.
Korkos has been the backbone and building block for two of my choral programs: Saint Cecilia Parish, Boston and the Cathedral of the Holy Cross. Her work in these settings often go unnoticed. But hidden within one discovers imaginative interpretation, impeccable technique, subtle nuance, and ability to morph authentically in style according to the genre and period. This is rare.
I AM BLESSED to have composed a few works especially for her. Also impressive is her ability to make very much her own music I composed for others. (You may guess which are which!) Here are a few works for mezzo-soprano. Enjoy a vast palette of expression and color. She delivers far beyond what is asked — a true artist who goes deep within to give all of oneself to create beauty.
Te Deum, IV. Tu ad liberandum • Orchestre Bel’Arte Jeune, Choeur d’ile de France Choeur d’Enfants d’ile de France, Cathedral of the Holy Cross Choir
By the Rivers of Babylon • Psalm 137
Letter to a Friend • text by Fra Giovanni Giocondo, 1513